The glass of water I drank every morning
The water bottle I gave my son every day when he went to nursery school
The spring water I drank by scooping it out with my hands
The stream where I caught guppies
The pond where we throw eggs and worship
The school grounds where I play football

Invisible, it has neither smell or taste. Was that substance in the water I drank and touched? In the water we used to grow our vegetables? Is it still in the water that flows out of our faucet now? What harm have these substances, accumulated in my body, done to me and my children? In 2016, it was announced that water supplied to 450,000 people in the central and southern parts of the main island from a water treatment plant located in central Okinawa had been contaminated with organofluorine compounds (PFAS). PFAS are carcinogenic substances known as 'Forever Chemicals', which rarely break down in nature or in the human body. In 2020, a fire alarm in a hangar at Futenma Airbase malfunctioned causing a large amount of firefighting foam to be released into the community of Ginowan. The fluffy foam, which wafted romantically and seemed never to fade, contained PFAS. People tried to grasp the true nature of the water they had taken for granted and retraced fragmented memories of the ‘foam’ they may have seen. This is the story of the PFAS contamination leaked from US military bases in Okinawa told through local people’s memories of the water and land. It is not possible to measure contamination figures of the past. Neither the Japanese government nor the US military have offered any fundamental solutions or even acknowledged the source of contamination. As the reality of the contamination was gradually revealed, the hazy memories of those affected, many overlooked until now, have become distorted. I walked through the contaminated land and water, tracing their memories. Eternal chemicals that cannot be visually captured except as fluffy bubbles. The source of this pollution cannot be reached by any means, blocked by the fences of the airbase. The silent burden of these beautiful islands that visitors dare not look for beyond the pleasant breezes and sound of waves. The invisible has become intertwined and overlapped. Wading through the dreamy aabuku (foam) it remained elusive, I wove together the words and unspoken thoughts of the people I met.

Award of Excellence

Aabuku

Moe Suzuki
Independent
Japan

Born in Tokyo and studied photography at London College Communications, University of the Arts London. Upon returning to Tokyo in 2011, Moe self taught book binding skills and started a career as a visual artist making numerous personal projects into hand-bound art books. Her primary medium is photography, which is mixed with archival images and illustrations to tell narratives in the books and installations. She engages in visual expression on the often invisible subject of memories and landscapes that transform along the passage of time, changes in environment, development, disability and relationships within the community. one of her artist books Sokohi has received worldwide recognition after winning Luma Rencontres Dummy Book Award 2021, also exhibited worldwide in Tokyo, Asama International Photo Biennale, Kyotographie 2021, Belfast Photo Festival 2021, Objectifs / Women and film and photography 2021, The Fineman New Photography Award. Also her photo book SOKOHI (published by Chose Commune) was selected as one of the ‘Favorite Photobooks of the Year’ 2022 by MoMa.

[ ISSUE REPORTING PICTURE STORY ] A long-term project on a single topic. It could focus on science, news, politics or any number of topics, ranging from coverage of a single person to an entire community. The project must convey a deep understanding of the subject. Each submission consists of 10 to 40 images. Each participant is allowed to enter up to 2 submissions. All images must be taken in 2023.

Judges for Issue Reporting Picture Story
Forough Alaei
Forough Alaei
Yuki Tanaka
Yuki Tanaka
Steven Lee
Steven Lee
Shuchi Kapoor
Shuchi Kapoor
Wan Chantavilasvong
Wan Chantavilasvong
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