In my country, South Korea, a pressing crisis is unfolding: the disappearance of children. The elementary school I attended is now on the brink of closure due to a drastic decline in student enrollment, which has halved since my time there. Our birth rate is falling more rapidly than in other OECD countries, making it a critical issue. It's alarming how our government and society are not addressing this problem with the urgency it deserves. Amid rampant inflation, soaring housing prices, and increasing marital breakdowns, this issue only becomes more dire. Walking through the streets, I encounter numerous playgrounds, mere minutes apart, in my city near Seoul. Yet, these spaces are eerily void of children. This stark reality inspired my project, No More Children in My Motherland. Capturing images of deserted playgrounds was hauntingly effortless; devoid of their intended users, these vibrant structures stood like functionless sculptures. What were once symbols of hope have become visual representations of a dystopian reality, a sorrowful landscape alarmingly close to my reality. The creative process of this project mirrored a game of hide-and-seek: myself, the photographer, in search of the elusive subjects - the children. This quest began at a playground just 200 feet from my home and expanded to an 18-mile journey to an abandoned amusement park, closed due to financial struggles. Over the course of several months, from late summer to winter and through 25 rolls of film, encounters with children were a rarity. If no effective solutions are implemented, South Korea faces a risk of fading into obscurity. My project represents a personal crusade to report on and halt this impending disaster.

Finalist

No More Children in My Motherland

Hayun Chun
Independent
South Korea

Hayun Chun (b. 1998) pursued a major in Product Design and graduated with a BFA from Hongik University in 2021. During her college years, Hayun deeply engaged with photography, seamlessly integrating it with her major and continuously pursuing personal projects. With a foundation in diverse lens-based media and a creative approach nurtured in her design studies, Hayun embraces a boundless use of various mediums, skillfully interweaving these disciplines within her body of work. Her primary interest lies in exploring the connections between the 3Ps ― People, Products, and Photographs, which deeply influence her subject matters. Her creative journey includes participation in the Seoul Art Book Fair Unlimited Edition (2020) and the independent publication of her first photography book, good goods, marking her initial foray into merging photography with tangible products. This project spurred the continuation of her distinctive projects such as tutti frutti, Birthday Brothers, and Pigeon Phobia. Her most recent work, and first AI image project, /imagine prompt: a swimming pool for artist, garnered critical acclaim, receiving a portfolio review at VOSTOK PRESS and whatreallymatters (Mapogu design·publish center) as part of the 2023 docking! program. This project is also displayed at CICA Museum in 2024. The book of this project won for Kassel Dummy Award ’24 shortlist. Additionally, Pigeon Phobia has been selected for a group exhibition at Montgomery College, Maryland, U.S.A.

[ ISSUE REPORTING PICTURE STORY ] A long-term project on a single topic. It could focus on science, news, politics or any number of topics, ranging from coverage of a single person to an entire community. The project must convey a deep understanding of the subject. Each submission consists of 10 to 40 images. Each participant is allowed to enter up to 2 submissions. All images must be taken in 2023.

Judges for Issue Reporting Picture Story
Forough Alaei
Forough Alaei
Yuki Tanaka
Yuki Tanaka
Steven Lee
Steven Lee
Shuchi Kapoor
Shuchi Kapoor
Wan Chantavilasvong
Wan Chantavilasvong
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